Madonna of the Rosaries 17th-18th century

Curator: This is Robert van Auden-Aerd’s "Madonna of the Rosaries," a piece showcasing a vision of the Virgin Mary surrounded by saints and angels. Editor: It feels immediately hierarchical; Mary enthroned above mortals. There’s a cascade of figures—almost a blurring of earthly and divine power structures. Curator: Absolutely, and the rosary itself is the key. It symbolizes a mystical link, a tangible path for connection and for prayer. Editor: But who exactly is granted access? Is it inherently democratic or exclusive? The earthly figures seem to represent a select few. Curator: Perhaps it reflects the period's societal hierarchies, yet the message emphasizes devotion, accessible to all regardless of earthly status. Editor: A complicated message, certainly, mirroring the intertwined nature of institutional power and personal faith. Curator: Indeed, it gives a glimpse into the psychological landscape and spiritual aspirations of its time. Editor: It certainly provides a rich space to contemplate these threads, connecting faith and historical context.