toned paper
quirky sketch
sketch book
incomplete sketchy
personal sketchbook
sketchbook drawing
watercolour illustration
storyboard and sketchbook work
sketchbook art
watercolor
Copyright: Rijks Museum: Open Domain
Curator: Looking at this sketch, what jumps out at you? Editor: Well, the reflection first! It's all smudgy and ghostly, almost like a half-remembered dream. Then you notice the man, sort of perched on the edge, like he's about to topple into that hazy world. Curator: That hazy world indeed! This is Otto Verhagen's "Vissende man aan een gracht te Maarssen," made in 1919. It's a watercolor on toned paper, a glimpse into a moment, a place. The immediacy, that kind of off-the-cuff feeling, suggests it's torn from a sketchbook. Editor: A sketchbook! Right, there's a beautiful candidness to it, capturing not just the fisherman but the feel of the afternoon. He’s got a certain solemn look, a kind of old soul quality in his features, contrasted by the absurdity of this little dog just sitting, gazing at the water. It feels playful and somber all at once. Curator: Absolutely, that contrast makes it! This artwork lives not in grand statements, but in fleeting encounters. There’s a delightful ordinariness about it. Verhagen, working at the turn of the century, painted in a time rife with art movements—cubism, futurism—yet there he is, drawing a man with a dog fishing. Perhaps reflecting daily life away from monumental grandstanding. Editor: It's fascinating how he’s captured light – the soft gradations that hint at late afternoon, reflecting the architecture into the canal below. There's also something appealing about the slightly unfinished quality. Like he caught a vibe, and just sketched what felt essential to the story. Curator: Indeed. Art isn't always about the perfectly polished. Sometimes, it’s about capturing the spirit of a place and moment, and I think Verhagen nailed that with this work. It feels both personal and timeless. Editor: I’d say. I keep coming back to that watery reflection, that space between what's there and what we think is there, really poetic. Curator: So, a fleeting glimpse from a sketch book that continues to make us look twice and reconsider those quiet moments of existence. Editor: I love the invitation to just be a quiet observer in someone else's moment, the dog and his fisherman friend along the water in Maarssen. A very charming encounter, thank you for sharing that Otto Verhagen captured that afternoon light for all of us.
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