Tureen with cover and stand by Jacques-Nicolas Roettiers

Tureen with cover and stand 1770 - 1771

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Dimensions Overall (tureen with cover (2a, b), wt. confirmed): 2 7/8 × 18 3/8 × 15 3/8 in., 14 lb. (7.3 × 46.7 × 39.1 cm, 6.3 kg); Overall (stand (.2c), wt. confirmed): 2 7/8 × 18 3/8 in., 14.9 lb. (7.3 × 46.7 cm, 6.8 kg)

Editor: This is a silver tureen with cover and stand, created by Jacques-Nicolas Roettiers around 1770. The reflective quality of the silver is stunning! It makes me think about how light must have played on its surface in a grand dining hall. I’m curious, focusing solely on its physical presence, what structural elements stand out to you? Curator: Focusing purely on the form, consider first the overall symmetry, carefully articulated in each individual element of the piece. The play of concave and convex curves—observe, for instance, how the rounded body of the tureen counterbalances the fluted design of the lid and base. These curvatures interplay to create a cohesive whole. What of the surface texture, its density and articulation of the ornamental forms? Editor: I notice the contrast between the smooth, polished areas and the heavily ornamented sections with leaf motifs. It is not chaotic, it is balanced. I am interested in your observations about texture and symmetry. Could you elaborate on the repetitive patterns? Curator: Precisely. The recurrence of motifs, like the stylized acanthus leaves, introduces a rhythm. It reinforces a sense of order and control, but control which at once contains dynamism. Each leaf is itself detailed, yet its impact arises only in relation to its iterative deployment. Note the careful graduation in scale and positioning, and how that manipulates our optical impression of the work. Editor: That makes a lot of sense. Analyzing it this way really highlights how meticulously crafted and carefully considered each element is in relation to others, more than any narrative connection. Curator: Exactly. We come to understand the object not through an analysis of what it represents, but how its components are formally interrelated. I find this perspective greatly enriches the appreciation of the sheer technical brilliance of Roettiers. Editor: I agree, considering the pure structural relationships really enhanced my appreciation for its detailed artistry and how skillfully they play with our perceptions.

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