Kop van een stier by Auguste Danse

Kop van een stier 1885

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drawing, print, etching, paper

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portrait

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drawing

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print

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etching

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paper

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academic-art

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realism

Dimensions height 359 mm, width 237 mm

Curator: Standing before us is "Kop van een stier", or "Head of a Bull," an etching on paper created in 1885 by Auguste Danse. It's part of the Rijksmuseum's collection. Editor: There’s a quiet strength radiating from this bull’s portrait. The etching captures a solemn dignity, almost melancholy, in its gaze. Curator: Considering Danse’s wider body of work, which focused heavily on landscapes and the rural experience of Belgium at that time, I would argue the bull is an intentional symbol of rustic pride. Livestock was intrinsically linked to their nation's cultural heritage. Editor: I see it. Placing it in that context highlights the societal values embedded within agricultural life. Beyond that though, is there a reading here that challenges assumptions around masculinity and docility? The artwork really asks a lot of you, as the viewer, to interpret the symbol. Curator: Absolutely. We also need to recognize the significance of its creation at a time when printmaking was flourishing. Etchings made art more accessible, breaking away from the elitism associated with painting and other unique mediums. It’s easy to forget that these images would have been displayed in public settings and were part of visual discourse on an ongoing basis. Editor: True, and even today, it’s an excellent example of realism, emphasizing careful attention to detail with crosshatching and shadows to create form. You see all of the muscles. What's particularly remarkable to me is how the texture makes it come to life; you feel that raw presence with such directness! Curator: I am inclined to agree with you. What the artist achieves here with only the lines feels radical! In bringing an awareness to class dynamics of the period and then considering what art means to different people and communities, this can hopefully inspire meaningful conversation and challenge people's perspective of history. Editor: Well said. I appreciate that now I recognize something beyond a simple animal portrait. It has sparked, for me, a contemplation on resilience, societal values, and representation.

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