Joseph Marinkel created this miniature portrait of a woman, likely in the mid to late 18th century, using watercolor on ivory and encased in gold. The smooth, light-reflecting qualities of ivory provide an excellent ground for the delicate washes of watercolor. See how the artist used tiny brushstrokes to build up tone and capture the sitter’s likeness? This painstaking process, combined with the preciousness of the materials, speaks to the value placed on portraiture as a symbol of status, and the skilled labor required to produce such an intimate object. Note how the gold frame serves not only to protect the miniature, but also to enhance its visual appeal. Gold was a material associated with wealth and power, and enclosing the portrait within it would have further elevated its status. The addition of a loop suggests it may have been worn as jewelry, close to the heart. Looking closely at the materials and processes involved in its creation reveals the social and cultural significance of this work. By appreciating the labor, materials, and context, we can challenge the traditional distinctions between fine art and craft.