Oever met hangende bomen 1864 - 1910

Cornelia Christina Johanna van Trigt-Hoevenaar made this print called Oever met hangende bomen. She was a Dutch artist working at the turn of the 20th century, a time when the role of women in the art world was expanding. This image might seem like a simple landscape, but it's charged with the aesthetic values of its time. Consider the popularity of landscape painting in the Netherlands. Artists turned to the land to express ideas about national identity, class, and the relationship between humans and nature. How does Van Trigt-Hoevenaar's print engage with these themes? Is she reinforcing or challenging conventional ideas about the landscape? To delve deeper, one could research the artistic training that was available to women at this time, the kinds of subjects they were encouraged to depict, and how their work was received by critics and institutions. Attending to such social and institutional factors helps us better understand the meaning and significance of works like this one.