H. Begga van Andenne 1615 - 1676

This is Theodor Matham’s engraving of H. Begga van Andenne, created sometime in the 17th century. The composition centres on the figure of Begga, her gaze direct, engaging us in a seemingly personal encounter. The use of line is particularly striking. Matham employs it to define form, create texture, and suggest depth. Look at the intricate detailing on Begga’s dress, where dense clusters of lines articulate the folds and shadows, contrasting with the smoother treatment of her face. Semiotically, the rosary beads and the crucifix allude to Begga’s religious status and the values she represents. The formal arrangement, with its stark contrasts and detailed rendering, creates a sense of immediacy, drawing us into Begga’s world. The use of black and white flattens the image. But it also creates a powerful visual impact. It leaves us contemplating the intersections of representation, identity, and cultural memory.