Stamtavle over Christian v. Rabens aner 1754

This pedigree of Christian v. Rabens was made by an anonymous artist, using printmaking techniques. The design is first made with a tool onto a matrix such as wood, linoleum or metal, then inked and transferred to paper. Here, the network of lines that form the complex family tree would have required significant expertise, planning, and skill. Consider the paper used as well. Its size suggests a desire to impress. The quality and permanence of the ink speak to the enduring status of the Raben family. This combination of artistry and technical skill elevates the print beyond the merely functional. By focusing on materials, making and context, we understand that what might seem like a straightforward genealogical record, is in fact a complex expression of social identity. It blurs the lines between craft and fine art.