De hemelvaart en kroning van Maria by Giuseppe Scolari

De hemelvaart en kroning van Maria c. 1560 - 1580

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print, engraving

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allegory

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print

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old engraving style

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figuration

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11_renaissance

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engraving

Dimensions height 251 mm, width 169 mm

Curator: This is "The Ascension and Coronation of Mary," an engraving dating from approximately 1560 to 1580, attributed to Giuseppe Scolari. Editor: Oh, wow, it's striking! Almost unsettlingly serene, you know? There's this calmness amidst all the swirling energy around her. Makes you wonder what she’s truly feeling, being elevated like that. Curator: Absolutely. We see Mary at the center, being crowned by Jesus, both surrounded by a radiant halo and positioned above cherubic figures on clouds. It’s important to remember that depictions of the Virgin Mary like this served a powerful theological and socio-political function, particularly during the Renaissance. They reinforced ideals of feminine virtue and piety, but also, crucially, Mary’s elevated status within the Catholic Church. Editor: Yeah, she’s totally owning the power pose, isn't she? But those tiny cherubs look like they’re having a rave down there! The artist really managed to juxtapose the solemn with a dash of the… well, slightly manic, maybe? Or just celebratory in their unique, angel way. I can dig it! Curator: The engraving medium itself is significant here, too. Prints allowed for wider dissemination of these images, influencing popular devotion and belief. Think of this artwork as an early form of accessible religious propaganda, embedding particular social values far beyond the elite circles of society. Editor: Propaganda with a serious style, I must admit. I can almost feel the artisan’s hand at work with that engraving, that patient labor etching line after line. And to think these things were reproduced... Whoa. Gives me pause. In today's digital world, how do we even approach the value judgments imbued within something made with such intense focus and physical dedication? Curator: Precisely. These detailed depictions naturalized hierarchical structures, normalizing beliefs that we should, indeed must, question today through critical analyses. Editor: Totally changes my perspective... From spontaneous appreciation of technique, to critical consciousness in a hot second. A beautiful tightrope walk. Curator: Indeed, recognizing that interplay is paramount. It challenges us to continuously re-evaluate historical and contemporary power structures reflected within even the seemingly most pious works.

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