Aarde en Lucht 1724 - 1751

Curator: Before us is a piece entitled "Aarde en Lucht," which translates to "Earth and Air," dating from sometime between 1724 and 1751. It's an engraving. Editor: My immediate reaction is one of stark contrast. The sharp, precise lines delineate figures that seem almost caricatures of avarice and frivolity. It’s a fascinating juxtaposition of austerity and carefree abandon. Curator: Absolutely. Consider the socio-economic conditions that informed its production. Prints like these were relatively affordable, making them accessible to a burgeoning middle class hungry for moralizing tales and social commentary. Look closely at the figure representing "Earth." Editor: The detailing is exquisite. Her worn face and grasping hand highlight her attachment to worldly possessions, her singular attention and effort in guarding her treasure. Curator: This image uses visual vocabulary to illustrate societal attitudes. Printmaking was also often a collaborative undertaking; understanding workshop practices sheds light on standardization versus individual artistry within these periods. Editor: I'm more drawn to the formal arrangement. "Air," the boy, appears lighter, more spacious. See the way the engraver uses varied line weights to create depth? The contrast accentuates his youthfulness and apparent lack of concern. The frog, a strange juxtaposition for "air", does the animal represent what could be "taken" from his innocence. Curator: Interesting idea, although I find myself questioning what statements might have come up by using such animal, knowing the role of humans in domesticating fauna, and other material practices associated with it, such as clothing styles and the class differences they signal. Editor: Agreed, and still the interplay is captivating; these visual devices communicate on multiple levels. Curator: Considering print production and the burgeoning accessibility of art to the middle class also creates other avenues of research in which ideas, skills and knowledge are brought forth for society consumption. Editor: Truly thought-provoking work! Seeing this interplay of visual dynamics has shifted how I consider it and it's period, perhaps.