Untitled 

Editor: This "Untitled" piece, we think it's by Tiberiy Szilvashi and most likely oil and matter painting. There's a striking density to the texture; it almost feels like I could reach out and touch a landscape of something frozen. What do you see in this piece? Curator: I see a powerful evocation of absence and presence. The impasto surface is so built up, like layers of memory accreted over time. Then, these isolated dashes of color – red and blue. What could they signify in an otherwise achromatic world? Perhaps moments of intensity piercing through the muted passage of time. Do they evoke specific images to you, like symbolic representations of something familiar? Editor: Well, the red could be… almost violent against the grey, maybe evoking a memory or sharp pain. But the blue is so small, like a last hope. Curator: Interesting interpretation! And notice how these three colour marks are distinct but almost mirroring. A symbol becomes truly powerful when we consider its echoes and variations through culture and time, doesn’t it? The artist perhaps explores a symbolic dialect, not clearly explained but rather felt as the visual language. Do you see any archetypal symbolism present? Editor: I can see a horizon and sky or ground which makes me think about a lonely landscape or memory fading over time. The rough materiality of paint reminds of decaying walls or material surfaces changing during time. The longer I look, the more narrative appears. Thank you for unveiling this world of interpretation for me. Curator: Indeed, that's where much of the magic lies: in how the material suggests stories dormant in the surface. It's an experience that keeps unfolding, layer by layer.