Portræt af overkontrollør ved Frederiksberg hospital Frantz Peter Neidthardt by Frans Schwartz

Portræt af overkontrollør ved Frederiksberg hospital Frantz Peter Neidthardt 1887

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print, etching

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portrait

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print

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etching

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realism

Dimensions 144 mm (height) x 119 mm (width) (plademaal)

Curator: Here we have "Portrait of Chief Supervisor at Frederiksberg Hospital Frantz Peter Neidthardt" by Frans Schwartz, dating to 1887. Editor: What a striking image! I'm immediately drawn to the texture. The lines are so raw and immediate. You can almost feel the etching needle on the plate. Curator: Indeed. The artwork is an etching. Note the directness of the gaze and how Schwartz has captured a particular moment, giving a face to the bureaucratic systems of the late 19th century in Denmark. Editor: And it's not a flattering gaze, is it? There’s a world-weariness in his eyes, offset by a quite ornate hat. How interesting for someone in what seems like quite a material profession, at Frederiksberg Hospital! What could the hat signify? Curator: It's intriguing. We need to consider the status of Frantz Peter Neidthardt in society, working in that key social institution and perhaps marking himself out with the unusual hat. His official role versus individual persona...a negotiation there. Editor: The textures tell us so much about process as well, it would have taken a huge amount of skill and craft to render fabric so quickly but so effectively. It's more than just technique; it’s about how skill is used to portray an idea. Curator: Yes, etching lends itself well to realist portrayal. It allowed the artist to capture detail. There is almost a documentarian spirit inherent in this. Schwartz, and those who later acquired this print, acting as witnesses to history. Editor: I keep returning to those lines, how raw and expressive they are in forming something. Every choice about each material mark says something important here. Curator: Exactly! The image's availability as a print meant accessibility and, in theory, potentially democratized art consumption, at least for those with the means to acquire art beyond the elite. Editor: Thank you. Considering the textures of process allows a more nuanced historical experience, wouldn't you say? Curator: I agree, and I hope the encounter is one which our visitors today appreciate too.

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