Bridges on the Seine. Verso: Sketch of an Abbé 

Editor: This watercolor by William Parrott, called "Bridges on the Seine," depicts a cityscape with bridges over a river. The muted tones give it a dreamlike quality. How might the cultural context have shaped Parrott's portrayal of Paris? Curator: The rise of tourism in the 19th century heavily influenced artists like Parrott. These scenic views catered to a growing market for picturesque souvenirs, framing Paris as a romantic destination. How do you think this commercial aspect affected his artistic choices? Editor: I guess he focused on popular landmarks and a pleasing aesthetic to appeal to buyers, rather than a gritty, realistic depiction. That's fascinating! Curator: Exactly! Consider how art institutions and the market shaped the image of Paris that was circulated and consumed. It changes how we understand the image itself. Editor: I'll definitely look at 19th-century art with a more critical eye now, considering its connection to tourism and the art market. Curator: And remember the power of imagery in shaping perceptions of place and culture.