Johannes de evangelist 1590 - 1650

Editor: So, this print is titled "Johannes de evangelist," by Antoine Sallaert, created sometime between 1590 and 1650, using ink and engraving. The dramatic contrast really grabs my attention. What strikes you when you look at it? Curator: Well, I immediately consider the social function of images like this in the 17th century. This image presents John the Evangelist in a very particular light – illuminated, literally, but also as an active author, dictating divine text. Consider who would have consumed this print. Was it intended for private devotion or for a wider, perhaps even didactic, purpose? Editor: I hadn't considered that. The inclusion of the eagle, John's symbol, makes sense for devotional use. How would that affect its public role? Curator: Exactly! Now think about the Reformation and the rise of Protestantism during this period. Images, and their display, became intensely political. This isn’t simply a neutral portrait; it's making a statement about religious authority and the role of sacred imagery. How does this contrast with artistic and religious ideas from this time period? Editor: I see your point. The starkness, the emphasis on John as a writer, perhaps underscores individual interpretation of scripture. I guess I hadn’t thought about it in terms of the religious debates of the time. Curator: Precisely! And notice how the artist chose to depict John. It wasn’t accidental. The image communicates the values and agendas of the period and reflects evolving attitudes toward faith, knowledge and authority. Editor: That's really interesting; it changes how I see the work. I am grateful for your insight. Curator: And I've appreciated you pointing out details in the image which changed my viewpoint. It makes me rethink how this engraving functions within its historical moment.