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Curator: This woodcut, titled "Mocking of Christ," is by an anonymous artist. It resides here at the Harvard Art Museums. Editor: It feels stark, almost brutal, doesn’t it? The black and white contrast amplifies the violence. Curator: Absolutely. The iconographic elements are fascinating; notice how Christ is surrounded, almost engulfed, by the jeering figures. Their weapons and gestures create a claustrophobic sense of oppression. The artist’s use of line is so economical, yet so effective in conveying the emotional weight of the scene. Editor: Yes, and the placement of the cross in the midst of that chaotic cluster--it's a bold, almost confrontational symbol. There's a real tension between suffering and hope, isn't there? It is all communicated with powerful symbolism. Curator: I agree. It’s a piece that really stays with you. Editor: Definitely, a powerful statement captured in a small space.
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