The Supreme Vice 1883

Editor: This ink and pencil drawing, "The Supreme Vice," created in 1883 by Felicien Rops, presents such a stark and unsettling image. The skeletal figures are quite macabre. What socio-political commentaries might Rops be making here? Curator: Rops was deeply critical of the bourgeoisie of his time. His art frequently explored themes of societal decay and moral corruption, especially how those played out around perceptions of women. What strikes you about the symbolism here? Editor: Well, the headless figure in the suit handing its head over to Death... it definitely speaks to themes of foolishness, a life squandered, or lack of intellect maybe? Curator: Exactly. Now consider where this work would have been displayed, likely within artistic circles that embraced this kind of dark satire and the societal critique. It challenged the prevailing norms. Think about how it used shock value to comment on class and mortality. Editor: It feels almost like a political cartoon, designed to provoke a reaction. Curator: Indeed. The allegorical nature of this piece and the use of loaded imagery speak volumes. The placement of the figures atop a base with “Roma” inscribed also evokes classical antiquity. Is Rops suggesting that modern societal failings were always there in the roots of Western civilization? What kind of commentary is being delivered here? Editor: I see that, I suppose the commentary is directed toward the decadence and vanity that are constants of civilisation. I see so many layers in it! It definitely gave me something to think about. Curator: Me too! It reminds us of the importance of examining art within the social structures from which it comes. These are the forces which determine who makes it, how it is interpreted, and what power it yields.