This is a sketchbook with 65 pages by Bramine Hubrecht, its date is unknown. Its material presence is immediately striking, isn't it? The book's rectangular form, defined by a visible black border, encases a textured expanse. The cover, seemingly made of a coarse fabric, presents a muted palette of off-white, that is interrupted by sporadic stains that provide a stark contrast. These irregular marks disrupt the uniformity of the weave, introducing elements of chance and entropy. Structurally, the book itself embodies a narrative—pages bound together, suggesting a journey or a collection of moments. Its materiality speaks of process, of the artist’s hand and the passage of time. It challenges us to consider not just the images it may contain, but also the object itself as a testament to artistic practice. The cover reminds us that meaning is not fixed.