The Kemanglen Sugar Factory near Tegal (or Tagal), Java by Abraham Salm

The Kemanglen Sugar Factory near Tegal (or Tagal), Java 1870 - 1875

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oil-paint

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oil-paint

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landscape

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oil painting

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genre-painting

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realism

Dimensions: height 80 cm, width 106 cm, depth 4.5 cm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Abraham Salm’s "The Kemanglen Sugar Factory near Tegal, Java," an oil painting from around 1870 to 1875. I'm struck by how the factory, although seemingly the subject, almost blends into the landscape under this enormous sky. What jumps out at you about this composition? Curator: Notice first the division of the canvas. The artist employed a rigorous horizontal stratification. Earth occupies the lower third, subtly rendered with variations in texture; next the architectural band, including both man-made structure and integrating natural forms. Then the atmospheric sky above comprises an impressive two-thirds, an essay in atmospheric perspective. Salm invites us to decode the relations between geometric order of buildings and the organic forms surrounding them. Do you perceive a dialogue, or tension, between these modes? Editor: I think I see what you mean – it's not just a pretty picture, it's this play between the human-made and natural. The geometric order of the factory contrasts the "irregular" vegetation and clouds in the background. The buildings and horizon, which are basically all horizontal, oppose the plume coming from the factory. Does the factory stack create some visual dissonance here? Curator: The factory's vertical chimney serves as more than mere contrast. It punctuates, emphasizing the geometry with near phallic directness, which leads us to explore a range of themes of "growth", which have both constructive and destructive attributes: consider the effect of such industrial forms imposed on that landscape. Can we read its semiotic inscription within the painting? Editor: I hadn’t thought of the industrial impact or its 'phallic' nature – the chimney and its impact become so much more interesting when considered this way. Thank you for that different approach. Curator: Indeed, understanding these relationships and deconstructing them is integral to interpreting such works. I appreciate the depth of inquiry shown here!

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