Allegorie op de Nationale Vergadering, 1796 by Jeremias Snoek

Allegorie op de Nationale Vergadering, 1796 1797

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print, engraving

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portrait

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neoclacissism

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allegory

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print

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figuration

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history-painting

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academic-art

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engraving

Dimensions height 503 mm, width 575 mm

Curator: This engraving, created around 1797, is entitled "Allegorie op de Nationale Vergadering", or "Allegory of the National Assembly". It’s currently housed right here in the Rijksmuseum. Editor: My goodness, the atmosphere! It strikes me as a blend of the imposing and the utterly whimsical. All those figures, the neoclassical architecture… it's a serious statement, undercut just a touch by those cherubic babes scribbling away at the bottom. Curator: You’ve hit upon the fascinating tension at play here. On one hand, we have figures embodying Justice, Liberty, and the Fatherland, all rendered in this grand Neoclassical style… But indeed, there’s something more light-hearted injected too. Note how the work employs symbols and visual language intended to resonate deeply with its contemporary audience. Editor: Absolutely, the symmetry alone speaks volumes about order and reason, hallmarks of the Enlightenment, right? And that central figure… he's practically drowning in symbols of power, yet presented with a hint of vulnerability, don't you think? Almost as though power, at the end of the day, is bestowed. I notice all the little portraits as well! Curator: Exactly, those are members of the National Assembly themselves looking on. I imagine at the time, it would have provided viewers a direct line into grasping exactly who this allegory pointed to in concrete reality. And the scale… it’s interesting. Not quite monumental but designed for dissemination, reproduction and broad access as a printed work of art. Editor: True enough. It does make you consider how revolutionary ideals were circulated. To distill abstract concepts into something visual, instantly communicable... And accessible, which I think is an often-overlooked component of art in the service of political movements. The whole piece serves as a reminder that every stroke and symbol here served a carefully constructed argument. Curator: Yes. A truly powerful fusion of aesthetics and ideology that spoke directly to a burgeoning nation. Editor: An era of grand ideas rendered in grand style and little cherubs scribbling in the wings… What a thought.

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