Bust Portrait of an Old Man in a Broad-Brimmed Hat. Verso: Two Nude Figures (Fragment) 

Curator: Here we have Joseph Highmore’s "Bust Portrait of an Old Man in a Broad-Brimmed Hat," housed at the Tate. The drawing style is striking! Editor: It’s a very immediate, economical drawing. You can really see the hand of the artist, and the rough texture of the paper coming through. Curator: Highmore was deeply engaged with the social dynamics of portraiture. His work often reflects the sitter's place within society. Editor: Exactly! The use of ink wash gives the portrait depth, almost like the sitter is emerging from the shadows of his own making. Curator: And though undated, this bust resonates with Highmore’s interest in depicting the character of individuals, reflecting broader societal values. Editor: The broad strokes indicate an efficiency of labor—the artist using materials strategically to convey the subject's essence. Curator: Indeed, it's a study in how art communicates social presence. Editor: A poignant reminder of the artist's hand and the material realities behind even the most seemingly straightforward images.