Plaque (one of two) 1750 - 1799

Editor: Here we have "Plaque," dating from the later 18th century, part of a pair, attributed to Micault. It's rendered in earthenware, a painted ceramic piece. I am struck by how ornate and abundant it seems; all those overflowing blossoms within such a small space... What does this plaque evoke in you? Curator: Abundance is absolutely key, but also fragility, isn’t it? Think about it – the brief, glorious bloom, now captured on something relatively permanent, but so easily shattered. I imagine someone cherishing it, a moment held still against the relentless flow of time, like capturing the echo of a sweet melody in a porcelain box. Do you get a sense of Rococo style influence? Editor: Yes! That explains some of my initial impression – that playful, ornamental aspect. What details indicate Rococo to you? Curator: Look at the curves, the gentle asymmetry, and the sheer delight in representing such delicate forms as petals. The plaque isn't trying to make some grand statement. Instead, it celebrates beauty on a very intimate scale, like a whispered secret just between you and it. Have you seen this style of art embodied on other ceramics or even other forms of art from this time period? Editor: I have noticed similarities in decorative arts, maybe the floral arrangements found in tapestries of the era. Seeing it discussed like this helps it click into place! Curator: Exactly! Now imagine yourself in a dimly lit drawing room, 1770-something, and suddenly it bursts to life! Little, quiet explosions of luxury – I feel as if these paintings act as a memento. Editor: Thank you so much. I now have a much deeper appreciation for it, and for thinking of it in its time and place!