Italiensk landskab med vindmølle by Jens Petersen Lund

Italiensk landskab med vindmølle 1763

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drawing, print, etching

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drawing

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neoclacissism

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print

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etching

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landscape

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etching

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history-painting

Dimensions: 435 mm (height) x 575 mm (width) (bladmaal)

Curator: I'm immediately struck by the delicate tonality and pervasive sense of calm in this landscape. The monochrome etching, printed in a reddish-brown ink, evokes a certain dreaminess, don't you think? Editor: Indeed. What we’re viewing here is “Italian Landscape with Windmill,” an etching from 1763 by Jens Petersen Lund, currently held at the SMK, the National Gallery of Denmark. Lund worked during the Neoclassical period. I notice how carefully balanced the composition is, with the windmill providing a clear focal point. Curator: The windmill definitely acts as a symbolic anchor, doesn’t it? In art, windmills can often represent human industry adapting and shaping the natural world, but in a harmonious way here. The choice to depict a windmill in Italy, a land typically associated with ancient ruins and pastoral scenes, subtly layers associations, reminding us that technological progress occurs even amidst established traditions. Editor: I agree, and Lund’s use of line reinforces this notion. Look at the incredibly fine lines he employs, built up in layers to suggest volume and light. It is quite intricate. This isn’t a bold statement, it’s a quiet observation – an inquiry, almost, using a carefully controlled medium like etching to dissect how the ideal landscape intersects with real life. Curator: And the architecture supports that! It has hints of classical romanticism but also functional design elements. In my interpretation, the color plays a crucial role. That reddish-brown, almost sanguine hue imbues the whole scene with a sense of nostalgia, as if viewing a memory or a cherished document from a time long past. I find it compelling and complex in its approach. Editor: A compelling reading. Perhaps we're seeing Lund considering the impact of history and technology on an idyllic vision, filtered through a deeply personal lens. I think that really resonates. Curator: Yes. A scene of human industry working in conjunction with classical imagery in an area with a vibrant history gives it that extra bit of significance. Editor: An important reminder to keep an eye out for his other prints when you find yourself exploring print collections!

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