Imogen Found in the Cave of Belarius by George Dawe

Imogen Found in the Cave of Belarius Possibly 1809

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Dimensions: support: 1003 x 1270 mm frame: 1128 x 1400 x 77 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this is George Dawe's "Imogen Found in the Cave of Belarius," housed here at the Tate. The scene feels quite dramatic, with a lot of darkness. What symbols do you see at play here? Curator: Notice how Dawe uses the cave as a symbol? It represents a space of both danger and refuge. The sleeping Imogen, cradled by her would-be killers, echoes classical depictions of death and resurrection. Does that resonate with you? Editor: Yes, definitely the way she's posed makes me think of classical sculpture. The figures and dogs, are they meant to evoke something specific, too? Curator: The dogs, loyal and watchful, could symbolize fidelity and protection. Belarius himself embodies wisdom, a patriarch safeguarding a secret past. Consider how these figures, illuminated against the dark backdrop, create an emotional pull, a memory carried across time. What do you take away from that? Editor: I see it now, a story told through familiar forms, made new again.

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tatebritain's Profile Picture
tatebritain 1 day ago

http://www.tate.org.uk/art/artworks/dawe-imogen-found-in-the-cave-of-belarius-t00718

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tatebritain's Profile Picture
tatebritain 1 day ago

George Dawe depicts a scene from Shakespeare’s play Cymbeline. Imogen – the heroine and daughter of Cymbeline, the ancient king of Britain – escapes court and disguises herself as a young man. Here, Dawe shows the moment when the character Belarius (left) and Imogen’s two long-lost brothers (right) discover her in a cave. They believe she is dead, but she has actually just drunk a sleeping potion. Dawe mainly painted portraits, but here ventures into ‘history painting’ (images of biblical, mythological, literary or historical subjects). This was regarded as the highest genre of painting at the time and indicates Dawe’s ambitions as an artist. With its high-minded literary theme and dramatic lighting, this painting was meant to stand out when it was first exhibited at the British Institution in 1809. Gallery label, October 2023