Michelangelo Buonarroti 1561 - 1564

Curator: Let's consider this remarkable bronze medal depicting Michelangelo Buonarroti by Leone Leoni, created between 1561 and 1564. The portrait bust on one side gives way to a rather enigmatic allegorical scene on the other. Editor: Enigmatic is right. It's arresting, this miniature drama! The figure looks weathered, almost a biblical wanderer, certainly a stark contrast to the poised profile on the other side of the medal. Curator: Leoni, though celebrated in his time, faced criticism for alleged fraud at the papal mint and even assaulting another goldsmith. This background colors the perspective we might take on commissioned portraiture during the period and invites questions about the politics inherent in image making. Editor: Interesting, certainly an alternative to his David! It reminds me of representations of hermits, perhaps suggesting a turning away from the world. Notice how even the dog at his heels contributes to that feeling of solemn journeying, maybe through life. Curator: Leone Leoni worked in various European courts. As such his art can be seen as existing on the forefront of the changing role of the artist as it developed at the time within different political structures, each affecting image-making. Editor: Indeed. I am struck, too, by how the textures of the beard and drapery contribute to the weighty feel, giving tangible form to the sculptor’s character as perhaps he wished to be perceived. A testament to an artist's enduring fame, perhaps even, in contrast with our man and his loyal dog? Curator: So, considering Leoni's reputation alongside the function of such medals, what kind of performance might Leoni have intended in his presentation of the celebrated Buonarroti? Perhaps an affirmation of shared genius in a competitive cultural sphere? Editor: Ultimately it underscores the artist's profound capacity to use imagery in order to navigate personal reflection alongside cultural projection. Curator: Precisely. It reveals as much about Leoni's ambitions and context as it does about Michelangelo’s celebrated persona.