Georgie Black, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes by Allen & Ginter

Georgie Black, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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figuration

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photography

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historical photography

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19th century

Dimensions Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)

Curator: This small but compelling photographic print, dating from between 1885 and 1891, comes to us from the Actors and Actresses series made for Dixie Cigarettes, a series produced by Allen & Ginter. The piece depicts Georgie Black. Editor: What strikes me immediately is how it captures a playful, almost cheeky spirit of the subject, Georgie Black. The composition has a lighthearted, theatrical quality. She’s poised, coquettish, and inviting…a real little firecracker! Curator: Precisely! These cards, produced using photography, and intended for mass consumption, played a role in circulating and constructing celebrity. Black’s portrayal reinforces her persona, designed to sell not just an image, but cigarettes. We see how art blurs with marketing here. Editor: Absolutely! The cigarette card, functioning as a miniature stage, invites us into a brief but intimate encounter with Georgie. She is simultaneously accessible, and slightly removed behind the photographic surface, just like today's celebrity encounters. The way she playfully touches her chin, that look in her eyes…it’s magic, captured and commodified! Curator: And it’s crucial to understand these as products of labor. Factory workers processed these images, packed the cigarettes, and contributed to this visual culture and network of exchange. These were cheap to make, distributed broadly and made to be disposable – only time gives them a new form of value. Editor: Right. The material's very ephemerality highlights the fleeting nature of fame. But her allure lives on, doesn't it? A whisper of old glamour. That gaze transcends the era and those early photographic processes. I feel strangely nostalgic seeing her...like stumbling across an old memory, one that lingers. Curator: Indeed, understanding the processes and production puts us into a very different dialogue with it, I feel. Editor: I’m thankful these pieces survive and can speak to us over all these years. A fun little postcard from a gilded, theatrical age, presented via tobacco consumption, I'll carry that thought around for a bit.

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