Japanned side chair c. 1760th century

This japanned side chair, made by an anonymous artist, now lives at the Minneapolis Institute of Art. When I look at it, I am struck by the way the black paint is lovingly applied and then worn away, revealing the wood beneath. It’s like seeing the chair age, its story etched into the surface. The gold floral designs painted on the chair seem to dance across the black background, each brushstroke a deliberate act of beautification. The paint isn't thick, but it's carefully placed to catch the light. I imagine the artist deciding where each stroke should go, building up layer upon layer of pattern that adds a sense of ornate beauty. It reminds me a little of Gustav Klimt, the way he layers patterns and textures to create these shimmering surfaces. This chair, though, feels more down-to-earth, more practical. It's a piece of furniture, not just a work of art, and that gives it a certain charm. I love how art can be both beautiful and useful, how it can elevate the everyday.