Slapende dronken soldaat by Hippolyte Emmanuel Boulenger

Slapende dronken soldaat 1869

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print, etching

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portrait

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narrative-art

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print

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etching

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old engraving style

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figuration

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genre-painting

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remaining negative space

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realism

Dimensions height 167 mm, width 238 mm

Curator: Hippolyte Emmanuel Boulenger created this etching, "Slapende dronken soldaat," or "Sleeping Drunk Soldier," in 1869. The style is reminiscent of older engraving styles while remaining aligned to Realism. Editor: The figure is sprawled so awkwardly, yet he's clearly deeply unconscious. The dark hatching and shading add a somber, almost mournful mood. It's hard not to see a critique of military life in this vulnerability. Curator: Etchings lend themselves well to this type of image. Here, Boulenger captures the vulnerability inherent in both sleep and inebriation. Soldiers, historically, often embodied the height of societal strength, yet the imagery is turned on its head, perhaps reflecting disillusionment with militarism following various conflicts. The empty canteen nearby speaks volumes about excess. Editor: The empty canteen becomes almost a symbolic weight of unfulfilled masculine ideals, a broken container. His disheveled appearance points to more than just drunkenness; it hints at social decay. It encourages one to ask who provides safety and security when the protectors are themselves so broken? This also plays into images of national identity that focus almost exclusively on masculine strength as a symbol for something larger. Curator: The artist presents not just an individual, but the potential unraveling of a societal ideal. There is almost an undercurrent here about a failed hero; an exploration of masculinity through its shadows. Consider that it's "genre painting," depicting ordinary life, yet elevated by this undercurrent of critical introspection. Editor: I agree that Boulenger presents us with an important challenge, daring us to explore beneath the surface of familiar tropes about soldiery and nationhood and forcing the viewer to interrogate the consequences and implications of military endeavor, particularly around race, gender and class in this very visceral representation of a very flawed masculinity. Curator: Indeed. A fascinating work that invites reflection on both personal and societal levels. Editor: A powerful reminder that visual culture shapes and reflects our collective consciousness.

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