Opus 54 A 1967

Hans Hinterreiter created this geometric abstraction, Opus 54 A, likely with paint on paper, sometime in the mid-20th century. I’m drawn to the interplay of geometric forms rendered in a tightly controlled palette of reds, blacks, and subtle whites. There’s something both rigorous and playful here. The surface has a subtle texture, which is reminiscent of paper or canvas. The paint application seems intentionally flat, almost like printmaking. See how the shapes intersect and overlap, creating a dynamic sense of depth and movement? Look at how a large, star-like shape dominates the foreground, while smaller versions recede into the background, suggesting a complex spatial arrangement. This work reminds me a little of Josef Albers’ colour studies, but with a more angular, dynamic edge. It’s a testament to the enduring power of geometric abstraction to challenge our perceptions and invite new ways of seeing the world.