Fotoreproductie van een beschilderd paneel by Laurens Lodewijk Kleijn

Fotoreproductie van een beschilderd paneel c. 1870 - 1900

0:00
0:00

print, photography

# 

portrait

# 

medieval

# 

print

# 

photography

# 

black and white theme

# 

genre-painting

Dimensions: height 180 mm, width 130 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a photographic reproduction of a painted panel, most likely captured sometime between 1870 and 1900. The panel itself features what appears to be a painted family crest or some kind of coat of arms. Editor: Immediately, the piece strikes me as somber, yet grand, as if gazing upon a relic from a forgotten age. The high contrast only accentuates this feeling. It is difficult to see the artwork's colors, though the light/dark palette makes for striking viewing! Curator: Indeed, the stark tonality contributes significantly to the piece's gravity. I would venture that its semiotic structure plays a part in that too; we have, at the top, what appears to be a family crest, likely emblematic of noble lineage. The stern portrait in the middle lends an air of authority and the image at the bottom almost gives the idea of classical antiquity. Editor: There is something vaguely unsettling in the figures below the portrait, those cheeky little cherubs wrestling with vegetation...almost sinister, actually. Perhaps that's why it has the flavor of the "dark ages". Curator: Perhaps. Their symmetry does create a sort of formal balance, counteracting the potential unease. Speaking of semiotics, notice the details in the crest itself - the chevron and what looks like a hunting horn... These, taken individually, evoke medieval notions of heraldry. I do think you've put your finger on what I find appealing in this image: it somehow transcends any specific temporal association. Editor: Mmm, yes, I think I get it now. It's like peering into someone's imagined past – a past laden with symbolism and shrouded in sepia tones. Curator: Precisely. Its reproduction through photography creates a distance and further layers of artifice, inviting the viewer to engage not with history per se but its interpretation and representation. Editor: An interpretation captured through the lens... I am leaving with more than when I arrived. This has been interesting! Curator: And I, having been reminded of history and imagery by a dark sense of humor, will take a new look next time I see such pieces.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.