A Man’s Head by  Sir Joshua Reynolds

A Man’s Head c. 1771 - 1773

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Dimensions support: 584 x 457 mm

Curator: Looking at this portrait, "A Man's Head" by Sir Joshua Reynolds, I'm struck by the way the figure seems to emerge from the darkness. Editor: Yes, it’s quite shadowy. I’m immediately drawn to that profile. The sitter's gaze, averted, almost melancholic, suggests an introspective state. One wonders about the relationship between Reynolds and his model. Curator: Reynolds often explored archetypes, and this head study feels like a meditation on masculine beauty, perhaps even vulnerability. The lack of specific dating also makes me wonder if Reynolds meant it to be timeless, almost. Editor: Absolutely. And situating this work within Reynolds' broader practice, we can see how he constructed and idealized notions of masculinity. The almost classical profile and the soft lighting definitely soften the sitter. But in what way does it challenge or uphold power structures? Curator: It’s a tender portrayal, I think. It invites empathy, prompting us to look beyond conventional ideals of strength. What do you think, have we given our listeners a good feel of it? Editor: I hope we have. This image invites a lot of reflection.

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tate's Profile Picture
tate 1 day ago

http://www.tate.org.uk/art/artworks/reynolds-a-mans-head-n00106

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tate's Profile Picture
tate 1 day ago

This is a study of the celebrated artist’s model, George White. Reynolds had just discovered him in the early 1770s and went on to use him in many of his history paintings. His roles included St Joseph, a Renaissance pope, and an Italian nobleman. White was also a popular model at the Royal Academy’s life classes because of his powerful muscular physique, which made him look like the idealised figures in classical sculpture and Renaissance painting. He was also the model for Nathaniel Hone’s painting, The Conjuror, which is on display in this room. Gallery label, May 2007