The Angel in the Sun calling the Birds of Prey, from the Apocalypse by Jean Duvet

The Angel in the Sun calling the Birds of Prey, from the Apocalypse 1480 - 1570

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drawing, print, engraving

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drawing

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print

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bird

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figuration

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soldier

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men

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history-painting

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musical-instrument

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northern-renaissance

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engraving

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angel

Dimensions plate: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm) sheet: 12 3/16 x 8 7/8 in. (31 x 22.5 cm)

Editor: We're looking at "The Angel in the Sun calling the Birds of Prey, from the Apocalypse" by Jean Duvet, made sometime between 1480 and 1570. It's an engraving. The overall composition feels incredibly dense and chaotic. I'm immediately struck by the sheer volume of figures and detail packed into the frame. What's your interpretation of the organization here? Curator: A pertinent question. Observe how Duvet utilizes the arch form, containing the scene within a defined boundary, yet the composition explodes outwards nonetheless. Notice how the angel at the apex provides a focal point, not through scale, but by its stark contrast with the swirling chaos below. How does the density and detail contribute to your experience? Editor: It definitely adds to the overwhelming sense of drama, a visual overload that seems deliberate. Are you suggesting this controlled chaos is a primary device of meaning? Curator: Precisely. The intricate line work and the sheer busyness compel the viewer to scan, to search for order amidst the apparent disorder. Note the juxtaposition of the celestial angel against the carnage beneath—the formal contrasts embody the apocalyptic narrative. Consider how Duvet has built this composition through contrasting light and shade. Editor: Now that you point it out, it almost feels like two separate realms colliding, separated and united through the arch's form. What is that text hovering above the chaos below? Curator: That’s correct. Semiotically it gives us some added meaning, but visually the placement also draws our eyes downwards from the bright light, from the idealized angel into the mass of humanity. This technique gives weight and significance to the battle itself. Editor: Seeing it that way gives the artwork a different and even more complete feeling for me. The relationship between form and meaning makes the experience more compelling. Thanks for pointing those visual elements out. Curator: Indeed. The intricate form amplifies the expressive power and the lasting impact of Duvet's vision.

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