Woolworth Building, No. 28 by John Marin

Woolworth Building, No. 28 1912

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drawing, watercolor

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drawing

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water colours

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watercolor

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geometric

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cityscape

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modernism

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watercolor

Dimensions overall: 47 x 39.6 cm (18 1/2 x 15 9/16 in.)

Editor: This is John Marin's "Woolworth Building, No. 28" from 1912, a watercolor drawing that's incredibly dynamic. The building seems to be bursting upwards, almost vibrating with energy. How does the context of its time influence how we read it? Curator: That vibrancy speaks to the spirit of the age. Consider 1912: a period of immense technological advancement, and burgeoning urban growth. The Woolworth Building itself was a symbol of this progress, a testament to American ingenuity and financial power. Marin captures that feeling of a city transforming itself, striving for ever greater heights, literally and figuratively. Do you see how he uses fragmented lines and broken color? Editor: I do, it feels almost cubist. How much was Marin reacting against, or participating in, the mythology around such architecture at the time? Curator: It’s both, I think. Modernism wasn’t just a visual style, it was about forging a new identity for art in the face of rapid change. The Woolworth Building wasn't just a building, it was a cultural statement. Marin isn’t simply representing the building; he’s capturing the *experience* of the modern city – chaotic, exhilarating, overwhelming. He participates in celebrating technological advancement by depicting it, yet rebels by disrupting any kind of "picture perfect" imagery, opting for emotional affect. Editor: It’s like he's showing the feeling of being there rather than just the building itself. So it's not just a pretty picture, it’s actively engaging with ideas of progress and what that means for society. Curator: Precisely. Marin, in this artwork, challenges the traditional role of art as a mere representational exercise. Instead, it positions art as a critical and expressive participant in shaping public perceptions of modern life and the monumental shifts happening around them. Editor: That reframes my whole view! I initially saw the painting as visually interesting, but now understand its dialogue within a particular moment in time and its legacy. Curator: Exactly. Context breathes life into the artwork.

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