Prijspenning van de Nederlandsche Orchidophilen-Club te Amsterdam (1887) 1887
metal, relief, sculpture
dutch-golden-age
metal
relief
sculpture
Dimensions diameter 4.1 cm, weight 36.15 gr
Curator: Wow, the patina on this Prijspenning van de Nederlandsche Orchidophilen-Club te Amsterdam from 1887, at the Rijksmuseum, is just breathtaking. It's almost ghostly. Editor: You know, at first glance, it feels like a dream, a hazy memory of flowers under moonlight. The relief is so delicate. What's it made of? Curator: This piece, by the Koninklijke Utrechtsche Fabriek van Zilverwerken van C.J. Begeer, is primarily crafted from metal. What I find compelling is how the awarding of this piece shows how plant societies used public events to popularize orchids to create a new form of domestic hobby. Editor: Right. A celebration of controlled cultivation in the industrial era...almost like bringing the exotic wilderness indoors. Curator: Exactly! Orchid cultivation really took off then, didn’t it? Mass society developed a deep curiosity with bringing wild nature into ordered parlors. Collecting like this made botanical knowledge and exploration into public theater. Editor: Well it looks good, almost as pretty as orchids themselves, don't you think? So, were people showing off their greenhouse prowess to win these? It’s quite a detailed work. Curator: Precisely, displaying these trophies was as much a part of cultivating cultural value as they were plants. That these tokens have floral reliefs connects art and nature quite effectively. It highlights the social practice as much as aesthetic of gardening itself. Editor: Seeing the plants framed in metal makes me think about nature as captured—a trophy but also frozen in time. You'd almost expect the leaves to crumble. Curator: That encapsulation, as you describe it, represents power, of course—both over the botanical world and over artistic creation itself. Editor: I never really thought about all of that before; thanks for illuminating all this detail—a token turned talking piece! Curator: Absolutely! These objects often hold far more historical narratives than meet the eye, so I'm grateful to unpack them together!
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