Les Singuliers et Nouveaux Portraicts... page 44 (verso) by Federico de Vinciolo

Les Singuliers et Nouveaux Portraicts... page 44 (verso) 1588

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drawing, print, paper, woodcut, engraving

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drawing

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print

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book

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bird

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paper

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11_renaissance

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plant

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woodcut

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northern-renaissance

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engraving

Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm)

Copyright: Public Domain

Curator: Here we see an open book featuring a woodcut print on paper. The image is “Les Singuliers et Nouveaux Portraicts… page 44 (verso)", created in 1588. The artist is Federico de Vinciolo. What are your first thoughts? Editor: Striking, but minimalist. A pixelated design depicting a bird perched on a stylized plant, or tree, against a solid grid. It has the austere quality of an old sampler, yet feels strangely contemporary, given its visual similarity to early computer graphics. Curator: Yes, its connection to early digital imagery is an interesting association. This page comes from a book of patterns intended for needlework and lace-making. Consider the cultural significance embedded within what may seem like a mere decorative design. Editor: Right. Domestic crafts, traditionally gendered, served as a form of silent expression. The repeated motifs, the very act of creation, could embed coded messages—a subtle form of resistance or assertion within a patriarchal society. Curator: Exactly. Think about the symbolic language here: the bird—often a symbol of freedom or the soul—intertwined with the botanical motifs signifying nature, growth, and cycles of life. Are we witnessing coded emblems of hope or resilience? Editor: It could be. Or consider how the labor involved in reproducing this pattern – the time, skill, and patience – might challenge prevailing notions of women's work as trivial or inconsequential. Craft as a statement, perhaps, on par with traditionally "masculine" pursuits. Curator: An excellent point. The very act of creating these intricate patterns was a means of participating in a broader visual culture, even if that participation was largely confined to the domestic sphere. A type of agency through artistry. Editor: And the act of preservation - these patterns survive for centuries and offer tangible links to our shared material history. To view them today is not simply to engage with artistic creation; rather, it connects us to the lives of creators across vast stretches of time. Curator: Indeed, it reminds us that everyday objects are powerful carriers of memory, and we can find compelling cultural meanings in the most unexpected places. Editor: Well said. These artifacts highlight the potential for beauty and quiet resistance, encoded and passed down across generations. They remind us that artistry often arises in the quotidian realities of our daily lives.

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