A View of Capri by Konstantin Gorbatov

A View of Capri 

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plein-air, oil-paint

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venetian-painting

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impressionism

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impressionist painting style

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plein-air

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oil-paint

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landscape

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impressionist landscape

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oil painting

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cityscape

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post-impressionism

Copyright: Public domain

Editor: Here we have "A View of Capri" by Konstantin Gorbatov, presumably an oil painting made en plein-air. There's something wonderfully textured about it. The brushstrokes are so visible. What are your thoughts when you look at this? Curator: I’m immediately drawn to the materiality. Look at how Gorbatov handles the oil paint – thick impasto in the clouds, thinner washes for the water. It's not just about depicting Capri; it’s about showcasing the properties of the oil itself. Consider the socioeconomic context: What kind of pigment was available? How did the availability and cost of materials affect the final product? Editor: That's a fascinating perspective. I was focusing on the scenery. How does that consideration change the viewing? Curator: It reframes it. Think about the labour involved. Someone had to grind those pigments, process the linseed oil, weave the canvas. These are often invisible aspects in traditional art history, yet they underpin the entire creation. This artwork represents both the depiction of leisure – the 'view' itself – but also a record of industrial and craft processes from its time. Editor: So, the choice of materials, like oil paint itself, isn’t neutral but embedded within a broader system of production and consumption? Curator: Precisely! The shift to commercially available paints democratized art-making to a degree but also changed the relationship artists had with their materials. It is also important to ask ourselves what we ourselves are consuming when looking at such artwork: the landscape of Capri as painted by an early 20th-century artist for our entertainment today. Editor: I hadn't considered that aspect before. I see the painting, but I'm blind to what produced it. Curator: Art isn’t just about beauty, it reflects—and is a product of—its means of production. Seeing it through this lens, adds another, quite political, layer to appreciation. Editor: Absolutely! I’ll definitely be paying closer attention to the materials and their backstory from now on. Thank you!

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