Sleeping Infant Faun Visited by an Inquisitive Rabbit 1887 - 1889

Curator: Here we have Edward Clark Potter's "Sleeping Infant Faun Visited by an Inquisitive Rabbit," a marble sculpture dating from around 1887 to 1889. Editor: It's interesting how such a stark material produces such a tender effect. There is a certain tactile quality to it that is very evocative. Curator: Indeed. Notice how the contours of the infant faun's body are rendered with precision. The gentle curve of the limbs, the relaxed posture, create a palpable sense of peacefulness. Editor: Potter’s piece invites questions regarding material origin. Was this marble sourced locally, or imported? And considering its destination at the Art Institute of Chicago, it suggests a particular level of economic access that influences the whole piece, right down to the artistic choices on display? Curator: That’s a potent question. I see a self-aware classical aesthetic, typical of the late 19th century, particularly within the context of American Academic art. It evokes themes of innocence, the harmony of nature and the pastoral ideal. Editor: That academic context makes the process fascinating—sculpting marble requires specific skill sets, specialized tools, and a dedicated workspace. Potter probably worked alongside artisans, whose labor significantly influenced the artwork’s existence. How many pairs of hands touched this work before its installation here? Curator: From a formal point of view, this also demonstrates the artist’s sophisticated handling of contrapposto, even in repose. The slight turn of the head, the delicate positioning of the limbs—all contribute to a dynamic sense of balance within the overall composition. Editor: And balance that must've taken quite some effort and labor from both Potter and the folks handling and sourcing the marble. Considering that it’s a photograph of a sculpture makes me wonder what were the choices when it comes to capture the whole labor or only parts of it. Curator: It leaves a great final thought when considering art that is often stripped away from such discussions. Thank you! Editor: You are most welcome!