Zittende figuren, onder wie een trommelaar 1921 - 1922

This sketch of seated figures, including a drummer, was made by Isaac Israels at an unknown date. Isn't it fascinating how simple lines can evoke a whole world? Israels uses a spare approach, capturing the essence of figures and a drum with such economy. It's like catching a fleeting moment, a memory almost. Look at the density of lines around the drummer and the faces – a flurry of marks that create a sense of depth and shadow. Then, notice the lighter, more tentative lines outlining the other figures. It’s as if Israels is thinking through the forms as he draws, letting us in on his process. The texture of the paper becomes part of the drawing too, adding a kind of warmth and intimacy. This sketch reminds me a bit of Degas' drawings, where you see the artist working through a subject, embracing the beauty of imperfection. It's a reminder that art is not always about perfect representation, but about seeing and feeling.