Pewter Pitcher c. 1936

Sidney Liswood made this drawing of a pewter pitcher, we don't know exactly when, using graphite on paper. There is so much attention to detail, and a real sense of care. Look at the tonal variation! Liswood uses very delicate shading to create the illusion of a 3D object on a flat surface. The graphite looks almost burnished, and Liswood has clearly spent time rendering the subtleties of reflected light on the pitcher’s surface, especially on the curves around the body. There's a real smoothness to the image, without losing any sense of texture, and it’s all done with very thin lines. The careful layering suggests a slow, deliberate process. This piece reminds me of some of Morandi’s still life paintings, where he would focus on everyday objects like bottles and jars. Both artists share a similar interest in exploring the quiet beauty of simple forms.