Fokus 2019

Editor: This is "Fokus," a 2019 acrylic on canvas painting by Dragan Ilić Di Vogo. I’m struck by its blend of realism and surrealism. The figure seems grounded in reality, but the colorful, almost planetary orbs surrounding her feel very dreamlike. What do you see in this piece, particularly in terms of its formal qualities? Curator: I find the painting to be an exercise in compositional balance achieved through contrasting elements. Note the juxtaposition of the smooth, classically rendered human form against the textured, almost chaotic abstract shapes. The artist has created a dialogue between order and disorder, perhaps exploring themes of internal versus external worlds. Observe the deliberate placement of the orbs; how do they interact with the figure's gaze? Editor: The figure's gaze definitely pulls you in, doesn't it? It's as if she's acknowledging both realities simultaneously. Do you think the color palette contributes to this dichotomy? Curator: Precisely. The muted tones of the figure contrast sharply with the vibrant hues of the surrounding elements, reinforcing the sense of dualism. Consider how the artist has employed the gradient of the background to further enhance this effect. Editor: So, the formal elements are essentially building this sense of internal versus external conflict? Curator: In a sense, yes. The structure and materiality create a visual language that invites viewers to contemplate these complexities. Editor: That's fascinating. I initially saw a dreamy painting, but now I see a carefully constructed visual argument. Curator: And I’m glad you can appreciate it. It seems that the balance achieved in “Fokus” is the intention of the artist, leaving behind a painting open for our interpretation.