X-radiograph(s) of "James Stuart, Duke of Lennox" 

Editor: This is an X-radiograph of "James Stuart, Duke of Lennox" after Anthony van Dyck. It's fascinating to see beneath the surface like this, but what can we really learn from it? What stands out to you? Curator: The X-ray reveals more than just the physical structure. It shows us the artist's process, their pentimenti, the changes they made. Look closely at the eyes—do you see how they seem to gaze beyond us, carrying the weight of Stuart's lineage? Editor: Yes, I see it now! It is like the image remembers. Curator: Exactly. And what does that memory convey to you? The layers of paint, and perhaps even varnish, become like cultural palimpsests, each alteration hinting at a dialogue between artist, sitter, and history. Editor: It’s incredible to think of all those layers holding so much meaning. Curator: Indeed, each X-ray exposes a new dimension of interpretation.