Hero as Riddle 1963

Curator: Here we have Sir Eduardo Paolozzi's "Hero as Riddle", held in the Tate Collections. Editor: It has an architectural feel—like a blueprint of a face. What is it made of? Curator: It is a print, likely screenprint, given Paolozzi's interest in mass production and collage. The materiality of reproducible imagery was a key focus for him. Editor: And considering the title, do you see a commentary on the construction of heroism and identity through standardized forms and media? Curator: Exactly. Paolozzi often explored the way mass media shapes our perceptions. This print suggests that our heroes are, in effect, assembled from prefabricated parts. The rigid forms seem to strip away individuality. Editor: Thinking about the making of this piece, it appears almost dehumanizing. Does this reflect Paolozzi's view on mass culture? Curator: It’s more complex than outright critique. Paolozzi was fascinated by the potential of mass culture, as well as its dangers. He saw both the allure and alienation it could create. Editor: So, a riddle indeed. Curator: Precisely, and one that continues to resonate today.