Pembroke Table 1936

Florence Choate made this "Pembroke Table" drawing with what looks like watercolour or gouache, the kind of materials that let you build up smooth, even tones. The colour palette in this piece is really restrained, mostly warm browns and tans. It’s like she’s trying to capture not just the look of the table, but also its very essence, its history, you know? The way the light catches the edges of the wood, the subtle gradations in the surface of the tabletop. Look closely, and you'll see the individual brushstrokes, the way she’s layered the paint to create depth and dimension. It’s not about flashy technique or bravura brushwork. It’s about careful observation, quiet dedication, and a deep respect for the material world. It reminds me a bit of Agnes Martin's drawings, in their quietness and simplicity, yet they manage to convey so much. It’s like a little poem, full of understated beauty and quiet contemplation.