The Taking of Major André by the Incorruptible Paulding, Williams and Vanvert 1812

Editor: This is T. W. Freeman’s 1812 print, “The Taking of Major Andr\u00e9 by the Incorruptible Paulding, Williams and Vanvert.” It feels very staged, almost like a theatrical production. What's your read on this work? Curator: We can approach this piece by looking at its material production. It's a print, so it's inherently about reproduction and distribution. Consider the labour involved: the engraver, the printer, and then the consumers of these images. It was made to circulate, and that fact shapes its message. Editor: How so? Curator: Well, think about the title – “the incorruptible.” This isn't just about capturing a historical moment; it's about crafting a specific narrative of virtue tied to these three men. And printmaking allowed for this narrative to spread rapidly. What was the social and political atmosphere that would call for this heroic view of common militiamen, do you think? Editor: I guess, in that case, print makes heroes accessible and, perhaps, inspires more to stand against those who may corrupt them with monetary offers? It’s like propaganda. Curator: Precisely. And it begs the question: whose interests are being served by this easily reproduced image and its circulation? Were there controversies around the event that this image attempts to resolve through visual rhetoric? The image presents itself as a historical record but in reality, serves a purpose. Editor: I see what you mean. The means of production really do shape the message and its reception. Curator: Absolutely. The material conditions, from the paper and ink to the social climate, are crucial to understanding this seemingly straightforward historical scene. Editor: That's a perspective I hadn't fully considered. Thanks, that’s an insightful view.