Young Girl in a Blue Hat by Pierre-Auguste Renoir

Young Girl in a Blue Hat 1881

0:00
0:00
pierreaugusterenoir's Profile Picture

pierreaugusterenoir

Private Collection

painting, oil-paint, impasto

# 

portrait

# 

painting

# 

impressionism

# 

oil-paint

# 

oil painting

# 

impasto

# 

portrait art

Curator: Standing before us, we have Renoir's "Young Girl in a Blue Hat," executed in 1881 using oil paint. The piece is currently held in a private collection. Editor: My first thought? Dreamy. It's as if Renoir captured a fleeting moment of childhood reverie, like she’s about to skip off into a secret garden. Curator: Indeed. The impressionistic brushstrokes work to soften the form, blurring the edges. The girl's figure is constructed through colour rather than precise outlines, observe how the strokes dance across the canvas. Editor: It’s pure light and air! And that hat... a perfect halo of youthful flamboyance! It looks a little bit too big for her; is she borrowing it, you think? Like a child playing dress up? Curator: The hat indeed commands attention, its ornamentation contrasts nicely against the girl's serene expression. If you carefully analyze the construction, we can decode the artist’s intentions. The colours used are strategic to direct focus. Editor: You're right; the hat's deep blues draw you in. But the soft pinks and peaches in her face give her a very genuine and sweet kind of appearance. There is such a beautiful stillness captured in her features. I bet she fidgeted terribly in that sitting. Curator: Such artworks allowed Renoir to explore themes related to modern life while still operating within traditional genres like portraiture. Observe, also, the layering technique visible through impasto applications on the clothing, adding depth. Editor: True, true, but honestly? It's the sheer innocence radiating from that little face that gets to me the most. That wistful gaze; she looks like she is listening for secrets on the wind, doesn't she? What was she thinking at that time? It has to be more interesting than what we think! Curator: I see your point. Though, for me, I keep coming back to Renoir's manipulation of colour and light within this frame. Ultimately, it is through the successful distribution of visual form that meaning manifests. Editor: And for me? It’s just a young girl, maybe like my sister or a memory from long ago. I guess what I really mean is…art hits you where you are. What strikes you most about art and this image right now could be wholly different in an hour, or on a rainy day!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.