Dimensions: support: 482 x 623 mm frame: 655 x 800 x 72 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is William Havell's "The Thames near Moulsford," currently held in the Tate Collections. Editor: It's so picturesque. The lighting, the languid flow of the river, it all evokes a sense of serene stillness. Curator: Note how Havell uses light to create depth. The golden sunlight breaking through the trees juxtaposes with the shadowed foreground, creating a visual hierarchy. Editor: It’s interesting how the placement of the figure in the boat and the grazing cows in the distance really contextualize the landscape; it's an image of England at work. Curator: Indeed, the composition, with its careful arrangement of elements, speaks to a broader artistic tradition of landscape painting and its relationship to ideas of nature and national identity. Editor: It's fascinating how the painting can be interpreted on multiple levels, from formal qualities to social context. Curator: Precisely. Havell's artistry encourages us to think about how art communicates meaning beyond its immediate aesthetic appeal.
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http://www.tate.org.uk/art/artworks/havell-the-thames-near-moulsford-t03393
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Havell, who was a native of Reading, produced numerous watercolours and oils of Thames Valley subjects from 1805 onwards. At this time he was a great admirer of Turner, who carried out his own campaign of oil sketching on the Thames in that year. One of Havell's on-the-spot sketches can be seen in Room 5. This painting of the Thames near Moulsford, which lies between Goring and Wallingford, is more likely to have been executed in the studio. Gallery label, September 2004