Simon Paullis våben by Albert Haelwegh

Simon Paullis våben 1662

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graphic-art, print, engraving

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graphic-art

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baroque

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print

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engraving

Dimensions 187 mm (height) x 140 mm (width) (plademaal)

Curator: Standing before us is a remarkable engraving titled "Simon Paullis vaben" crafted by Albert Haelwegh in 1662. Editor: It’s striking! A dense flurry of ornate detail forming this almost architectural crest. The balance of black ink on the stark background immediately pulls me in, making me wonder about the person it's meant to represent. Curator: Absolutely. Heraldry like this served powerful purposes. The “vaben”, meaning “weapon” or "arms," signified lineage, status and the socio-political power afforded to the figure referenced. This work commemorates Simon Paulli, a prominent physician and scholar of the time. We must examine his identity and the visual vocabulary surrounding it, acknowledging the context of class and privilege it represents. Editor: The floral imagery nestled in the shield intrigues me— juxtaposed against the sharper lines and what appear to be symbolic flourishes on either side. Could this represent a union between intellectual life, the natural world and martial identity? Curator: Likely. Think of Baroque aesthetics generally. Ornamentation like this conveys influence through grand visual displays, yet these are coded languages too. Here the artist connects the man’s profession as a doctor with concepts such as learned wisdom and the divine right. There's an argument to be made about the inherent sexism evident as women, even of noble status, were less often afforded the same representation. Editor: It feels self-aggrandizing from a modern perspective but of course, status in the 17th century was tightly bound to these symbolic displays. I’m curious about the process of creating an engraving like this – the fine detail, the almost mathematical precision required… It's like an entire worldview captured in miniature. Curator: Indeed. We can see it as a reflection of Baroque sensibilities, an era marked by visual exuberance but equally about reinforcing socio-economic hierarchy. It prompts questions about accessibility to that elite social circle. Editor: So much history, meticulously etched. Curator: And those echoes still reverberate.

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