Perseus and Andromeda, study for The Doom Fulfilled 1875
drawing, print, gouache
portrait
drawing
narrative-art
gouache
figuration
symbolism
history-painting
pre-raphaelites
Dimensions: 330 × 303 mm
Copyright: Public Domain
Curator: This intriguing drawing, rendered in gouache and other print medium, is entitled *Perseus and Andromeda, study for The Doom Fulfilled*, by Edward Burne-Jones, created around 1875. It’s currently part of the Art Institute of Chicago's collection. Editor: My initial impression is one of coolness, almost detachment. The somber, bluish palette and statuesque figures lend it a feeling of classical remoteness. Curator: It exemplifies the Symbolist movement, especially how Burne-Jones often turned to classical mythology as a vessel to explore more profound emotional and psychological states. We can trace it back to a history painting, drawing upon a rich narrative. The line work is meticulous. Editor: I'm fascinated by Burne-Jones's technique. Looking at the texture, you get a sense of the material labor, the layered application of gouache and the controlled printing that allowed him to create such stark contrast between the lit figures and darker, dramatic depths. It challenges conventional academic boundaries. Curator: Absolutely, you highlight a vital point. Observe Perseus: note the precise anatomical rendering—the artist is concerned with the ideal male form. Editor: Yet the composition's off-kilter; that sense of the handmade destabilizes any illusion of perfect forms. Notice the surface qualities: the tooth of the paper, the slightly uneven distribution of pigment. These all reveal the process itself. Curator: This is characteristic of the Pre-Raphaelites, the blending of precise academicism with symbolic density, but he leaves the viewer wanting a perfect ideal through surface manipulations, revealing an intense moment for this narrative-art exploration. Editor: It is indeed a beautiful illustration. We have the means and materials through the artist's craft in a social mirror. One wonders what narratives a different, contemporary materiality might reveal from such subject matter today. Curator: The questions are the charm of works like these. They let us unravel it as if we knew what happened that day! Editor: Absolutely, from the social realities imbedded in its creation to how it affects each of us, our views, and expectations; now that's a real treasure.
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