Illustration XVI c. 1489

Curator: This is Illustration XVI, an anonymous piece held here at the Harvard Art Museums. Editor: It's surprisingly direct, even stark. The figures are outlined with such bold lines, and the colors are so earthy. Curator: Indeed. The artist uses a very limited color palette, typical of early book illustrations. Notice how the composition centers on the figure of Christ being presented to a seated figure, possibly Herod. Editor: The way Christ's figure is slightly bent forward gives him an attitude of quiet acceptance, and his halo signifies his divinity, creating a strong contrast with the seated figure’s jester hat. Curator: The placement of the text around the image is very intentional, acting as both a frame and a narrative support. It guides the viewer's eye, but also adds another layer of meaning to the artwork. Editor: Seeing these two elements—image and text—together really helps me to reflect on the narrative power of simple visual language. Curator: And for me, it’s a powerful reminder of how symbols can transcend time, continuing to speak to us across centuries.