Castel Sant'Angelo en de Ponte Sant'Angelo in Rome by Francesco Barbazza

Castel Sant'Angelo en de Ponte Sant'Angelo in Rome 1775 - 1785

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Dimensions: height 410 mm, width 569 mm

Copyright: Rijks Museum: Open Domain

Curator: Isn't it extraordinary how an etching, a print, can capture so much life? This is "Castel Sant'Angelo en de Ponte Sant'Angelo in Rome" by Francesco Barbazza, dating roughly from 1775 to 1785. Look at the detail he manages to convey with simple lines and shading. Editor: The texture! It's all so finely rendered; it practically begs to be touched, even though it's obviously just paper. And the atmosphere! It has a bustling feel. A sense of antiquity mingling with daily life. Curator: That bustling feeling is intentional, I think. These kinds of cityscapes, especially in the Baroque period, were all about conveying the grandeur and vitality of Rome. They acted almost like postcards for wealthy tourists. Editor: Postcards for the 18th-century elite, huh? Clever marketing! Makes you wonder about who commissioned it. I'm also thinking about the composition, with that somewhat imposing Castel Sant’Angelo looming large. Is it meant to emphasize power, permanence? Curator: Precisely. The Castel Sant’Angelo started as Emperor Hadrian's mausoleum, then became a papal fortress. So Barbazza is drawing on centuries of Roman history and layering on top of that, ideas of power and religious authority. Editor: And the bridge, the Ponte Sant’Angelo. Absolutely teeming with figures! The river seems equally active with working people on boats doing...what exactly? Curator: Probably ferrying goods, maybe even waste, given the period. Remember, these prints weren't just about showing off beautiful architecture; they also showed the economic life of the city, however romanticized. What really gets me are those sculptures lining the bridge. A touch of the celestial, isn't it? Editor: A heavenly procession leading toward the earthly power… it's staged, theatrical. Although...I find myself far more interested in those little vignettes of everyday Roman life at the bottom. I like the raw energy, I think, as if pulled directly from the real world. Curator: That interplay between the monumental and the mundane, that tension is where the true magic lies. It allows the viewer to contemplate Rome, its past and present all in one glance. Editor: A captivating glimpse into a layered history. One that definitely has me itching to be in Rome now!

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