Entrance to Cloisters c. 19th century

Sir Ernest George made this watercolor painting, “Entrance to Cloisters,” sometime around the turn of the 20th century, likely on one of his many architectural tours of Europe. George was a successful architect in England, so this image can be understood in relation to the institutional structures that supported architectural design at the time. Cloisters, as a form, evoke a sense of history and tradition. We see this in the gothic arch, the heavy timbers, and the implication of religious life. George's choice of subject matter suggests an interest in historical preservation and continuity. The muted colors and soft brushstrokes contribute to a sense of nostalgia, making the scene appear timeless. Further research would be required to determine the specific location depicted and its significance within its local community. For now, we can see the painting as an expression of cultural values.